Having a hard time writing orchestral music?
Can you hear the music in your head...
but you don’t know how is it done?
   
Do you know the sound that you want... 
but you don’t know what to do with the Strings, Brass, Woodwinds?

Do you have a melody/harmony sketch... 
but you wonder how to organize them in the orchestra?

We feel your pain. Every composer has been there at some point. It’s frustrating!

Learning Plan
Read the first part of each module
to understand each instrument of the orchestra.
Watch the walkthrough videos 
to learn how to organize musical ideas in the orchestra.
Orchestrate your music like a pro.
What's My Investment?
 The cost of not taking action
 Are you working (and being paid) on the type of PROJECTS that you want?

What skills do you need to build to move closer to those projects?

WHY aren’t you working on the type of projects that you love?

Is it because it makes you nervous to go after bigger projects that need a live orchestra?
– a.k.a. self-doubts, feeling of not having what it takes –

Or is it because you prefer to stay in your comfort zone, working on amateur low budget projects?
– a.k.a you end doing an orchestral mockup because there’s no money for musicians–

Have you ever felt that way? Ever felt like other composer’s music is way better than yours?

It’s time to stop that feeling now and take action!

 You need to understand that the chokehold of your career is never your music. It's always you and your psychology!

Push yourself to new heights. Learn new skills. Embrace new opportunities.

The time is now!

Easy Access Plan
Choose the version of the course that’s right for you. 
Buy the course.
Get instant access and enjoy free updates and teacher support for life.
What's the Difference Between the Lite and the Power Package Versions
The ORCHESTRATION course has nine parts:

1) Strings Instrumentation
2) Woods Instrumentation
3) Brass Instrumentation
4) Percussion, Keys and Harp Instrumentation
5) Strings Orchestration
6) Woods Orchestration
7) Brass Orchestration
8) Percussion, Keys, and Harp Orchestration
9) Orchestrating for Full Orchestra

The Lite version includes parts 5-9
The Power Package includes Everything, plus the Hollywood Voicings, which teaches you specific standard (cliché type) orchestral voicings to get that typical Hollywood sound. 

The PRO version and the Power Package include the same content. The difference is that the PRO version comes with reviewed assignments.

You can buy the Lite or Power Package version now (which do not include reviewed assignments) 

Learn & Master Orchestration From Award-Winning Composers 
Marc Jovani & Miguel Bezanilla
With Our New Course...
"Orchestration 1: from Sketch To Orchestra"
Lite Version
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Learn & Master Orchestration From Award-Winning Composers 
Marc Jovani and Miguel Bezanilla
With Our New Course...
"Orchestration 1: from Sketch To Orchestra"
Lite Version
CUSTOM JAVASCRIPT / HTML

Carlos Vallejo - Composer

Ideal for those who want to get started in the art of writing music for orchestra

Don't have musical training? Don't read music?
Don't stress out! ;) We'll teach you to read orchestral music!
Every new concept that you learn comes with video examples.
Each video highlights exactly the notes you have to look at.
Also, there is a voice over explaining what's gonna happen in the score and what do you have to pay attention to.

Carlos Vallejo - Composer

Ideal for those who want to get started in the art of writing music for orchestra

Don't have musical training? Don't read music?
Don't stress out! ;) We'll teach you to read orchestral music!
Every new concept that you learn comes with video examples.
Each video highlights exactly the notes you have to look at.
Also, there is a voice over explaining what's gonna happen in the score and what do you have to pay attention to.
Orchestration : from Sketch to Orchestra
Lite Version
Flash Summer Sale!
Order The Orchestration's Online Course Now And Save!
Regular Price: $497
Get The Course Today For Only:
$97.00
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Praise For The 'Symphonic Virtual Orchestration' Course

John Powell - Film Composer (How to Train Your Dragon)

“Andy Hill has the ability to deconstruct and explain the process of writing film scores with extraordinary clarity, all the while imbuing the subject with a fervor that should, in my opinion, be reserved only for European football matches and Baptist revival meetings.”

Christopher Young - Film Composer (Spider-Man)

You MUST get this – While most analytical books are written by academics, Andy was right there in the thick of things as a member of the Disney music department, while the majority of the scores in the book were actually being recorded. Not to mention, it is so alive with his mad passion for film music.

Conrad Pope - Composer/Orchestrator (Harry Potter and the Sorcerer's Stone)

“Andy Hill is among the handful of penetrating minds and ears engaged in film music today.”

Bruce Broughton - Composer (Silverado)

“Andy Hill’s ‘Scoring the Screen’ is, like its author, thoughtful, incisive and full of solidly interesting insights into the technique, craft and emotional magic of film scores and the composers who create them.”

Daniel Carlin - Professor & Chair/Director, Scoring for Motion Pictures and Television, Thornton School of Music, University of Southern California

“Andrew Hill displays the comprehensive knowledge, wisdom, and reverence required to provide informed and practical insight into the art and craft of composing screen music. His background as a practicing musician, Disney studio music-executive, and college-level educator enables him to intelligently—and sometimes amusingly—reveal the magic behind the film-composer’s curtain.”

Robert Townson - Film Music Producer (Varèse Sarabande Records and Varèse Live)

“Andy presents his case that the finest composers to have worked in film over the last eighty years have contributed genuine masterpieces of music and drama to our culture. A film score must excel at both to be successful, and this is so beautifully illustrated in Hill’s elegant prose

Having produced new recordings of To Kill A Mockingbird — with Elmer Bernstein — and Patton — with Jerry Goldsmith — and examined these and other scores in great detail with the composers themselves, I found myself very moved by Hill’s like-minded analysis. Part of the film composer’s art is in fact to conceal the effort and the intellect that goes in to the creation of their scores. Hill thankfully lifts the veil. I am thrilled to see such a rare spotlight illuminating the artistry behind these masterworks.”

Flash 1-Day Pre Black Friday Sale
Order Andy Hill's Online Course Now And Save
Regular Price: $497
Get The Course Today For Only:
$97.00
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Then the price will go up to $497
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Orchestration : from Sketch to Orchestra
Lite Version
Flash Memorial Day Sale!
Order The Orchestration's Online Course Now And Save!
Regular Price: $497
Get The Course Today For Only:
$97.00
CUSTOM JAVASCRIPT / HTML
Then the price will go up to $497
CUSTOM JAVASCRIPT / HTML
Praise For The 'Symphonic Virtual Orchestration' Course

John Powell - Film Composer (How to Train Your Dragon)

“Andy Hill has the ability to deconstruct and explain the process of writing film scores with extraordinary clarity, all the while imbuing the subject with a fervor that should, in my opinion, be reserved only for European football matches and Baptist revival meetings.”

Christopher Young - Film Composer (Spider-Man)

You MUST get this – While most analytical books are written by academics, Andy was right there in the thick of things as a member of the Disney music department, while the majority of the scores in the book were actually being recorded. Not to mention, it is so alive with his mad passion for film music.

Conrad Pope - Composer/Orchestrator (Harry Potter and the Sorcerer's Stone)

“Andy Hill is among the handful of penetrating minds and ears engaged in film music today.”

Bruce Broughton - Composer (Silverado)

“Andy Hill’s ‘Scoring the Screen’ is, like its author, thoughtful, incisive and full of solidly interesting insights into the technique, craft and emotional magic of film scores and the composers who create them.”

Daniel Carlin - Professor & Chair/Director, Scoring for Motion Pictures and Television, Thornton School of Music, University of Southern California

“Andrew Hill displays the comprehensive knowledge, wisdom, and reverence required to provide informed and practical insight into the art and craft of composing screen music. His background as a practicing musician, Disney studio music-executive, and college-level educator enables him to intelligently—and sometimes amusingly—reveal the magic behind the film-composer’s curtain.”

Robert Townson - Film Music Producer (Varèse Sarabande Records and Varèse Live)

“Andy presents his case that the finest composers to have worked in film over the last eighty years have contributed genuine masterpieces of music and drama to our culture. A film score must excel at both to be successful, and this is so beautifully illustrated in Hill’s elegant prose

Having produced new recordings of To Kill A Mockingbird — with Elmer Bernstein — and Patton — with Jerry Goldsmith — and examined these and other scores in great detail with the composers themselves, I found myself very moved by Hill’s like-minded analysis. Part of the film composer’s art is in fact to conceal the effort and the intellect that goes in to the creation of their scores. Hill thankfully lifts the veil. I am thrilled to see such a rare spotlight illuminating the artistry behind these masterworks.”

Flash 1-Day Pre Black Friday Sale
Order Andy Hill's Online Course Now And Save
Regular Price: $497
Get The Course Today For Only:
$97.00
CUSTOM JAVASCRIPT / HTML
Then the price will go up to $497
CUSTOM JAVASCRIPT / HTML
Praise For The 'Orchestration: From Sketch To Orchestra' Course

Medhat Hanbali - Composer

Whether it’s a film, TV show, video game or music production, the information you will learn in this class is very valuable and will be useful for the rest of your career.

Steve Schwartz - Composer

“These courses have been a fantastic experience thus far. I'm already learning more than I ever could. It's far superior than just searching for online tuts. This course is all a hit!.”

Thomas Rhea - VI Control user: Maestro1972

"I am only into day 2, I am so impressed! The chat/interactive video chat, the assignments, and the customer service is WAY more than I thought this experience was going to be."
Praise For The 'Symphonic Virtual Orchestration' Course

John Powell - Film Composer (How to Train Your Dragon)

“Andy Hill has the ability to deconstruct and explain the process of writing film scores with extraordinary clarity, all the while imbuing the subject with a fervor that should, in my opinion, be reserved only for European football matches and Baptist revival meetings.”

Christopher Young - Film Composer (Spider-Man)

You MUST get this – While most analytical books are written by academics, Andy was right there in the thick of things as a member of the Disney music department, while the majority of the scores in the book were actually being recorded. Not to mention, it is so alive with his mad passion for film music.

Conrad Pope - Composer/Orchestrator (Harry Potter and the Sorcerer's Stone)

“Andy Hill is among the handful of penetrating minds and ears engaged in film music today.”

Bruce Broughton - Composer (Silverado)

“Andy Hill’s ‘Scoring the Screen’ is, like its author, thoughtful, incisive and full of solidly interesting insights into the technique, craft and emotional magic of film scores and the composers who create them.”

Daniel Carlin - Professor & Chair/Director, Scoring for Motion Pictures and Television, Thornton School of Music, University of Southern California

“Andrew Hill displays the comprehensive knowledge, wisdom, and reverence required to provide informed and practical insight into the art and craft of composing screen music. His background as a practicing musician, Disney studio music-executive, and college-level educator enables him to intelligently—and sometimes amusingly—reveal the magic behind the film-composer’s curtain.”

Robert Townson - Film Music Producer (Varèse Sarabande Records and Varèse Live)

“Andy presents his case that the finest composers to have worked in film over the last eighty years have contributed genuine masterpieces of music and drama to our culture. A film score must excel at both to be successful, and this is so beautifully illustrated in Hill’s elegant prose

Having produced new recordings of To Kill A Mockingbird — with Elmer Bernstein — and Patton — with Jerry Goldsmith — and examined these and other scores in great detail with the composers themselves, I found myself very moved by Hill’s like-minded analysis. Part of the film composer’s art is in fact to conceal the effort and the intellect that goes in to the creation of their scores. Hill thankfully lifts the veil. I am thrilled to see such a rare spotlight illuminating the artistry behind these masterworks.”

Flash 1-Day Pre Black Friday Sale
Order Andy Hill's Online Course Now And Save
Regular Price: $497
Get The Course Today For Only:
$97.00
CUSTOM JAVASCRIPT / HTML
Then the price will go up to $497
CUSTOM JAVASCRIPT / HTML
Praise For The 'Orchestration: From Sketch To Orchestra' Course

Medhat Hanbali - Composer

Whether it’s a film, TV show, video game or music production, the information you will learn in this class is very valuable and will be useful for the rest of your career.

Steve Schwartz - Composer

“These courses have been a fantastic experience thus far. I'm already learning more than I ever could. It's far superior than just searching for online tuts. This course is all a hit!.”

Thomas Rhea - VI Control user: Maestro1972

"I am only into day 2, I am so impressed! The chat/interactive video chat, the assignments, and the customer service is WAY more than I thought this experience was going to be."
Praise For The 'Symphonic Virtual Orchestration' Course

John Powell - Film Composer (How to Train Your Dragon)

“Andy Hill has the ability to deconstruct and explain the process of writing film scores with extraordinary clarity, all the while imbuing the subject with a fervor that should, in my opinion, be reserved only for European football matches and Baptist revival meetings.”

Christopher Young - Film Composer (Spider-Man)

You MUST get this – While most analytical books are written by academics, Andy was right there in the thick of things as a member of the Disney music department, while the majority of the scores in the book were actually being recorded. Not to mention, it is so alive with his mad passion for film music.

Conrad Pope - Composer/Orchestrator (Harry Potter and the Sorcerer's Stone)

“Andy Hill is among the handful of penetrating minds and ears engaged in film music today.”

Bruce Broughton - Composer (Silverado)

“Andy Hill’s ‘Scoring the Screen’ is, like its author, thoughtful, incisive and full of solidly interesting insights into the technique, craft and emotional magic of film scores and the composers who create them.”

Daniel Carlin - Professor & Chair/Director, Scoring for Motion Pictures and Television, Thornton School of Music, University of Southern California

“Andrew Hill displays the comprehensive knowledge, wisdom, and reverence required to provide informed and practical insight into the art and craft of composing screen music. His background as a practicing musician, Disney studio music-executive, and college-level educator enables him to intelligently—and sometimes amusingly—reveal the magic behind the film-composer’s curtain.”

Robert Townson - Film Music Producer (Varèse Sarabande Records and Varèse Live)

“Andy presents his case that the finest composers to have worked in film over the last eighty years have contributed genuine masterpieces of music and drama to our culture. A film score must excel at both to be successful, and this is so beautifully illustrated in Hill’s elegant prose

Having produced new recordings of To Kill A Mockingbird — with Elmer Bernstein — and Patton — with Jerry Goldsmith — and examined these and other scores in great detail with the composers themselves, I found myself very moved by Hill’s like-minded analysis. Part of the film composer’s art is in fact to conceal the effort and the intellect that goes in to the creation of their scores. Hill thankfully lifts the veil. I am thrilled to see such a rare spotlight illuminating the artistry behind these masterworks.”

Flash 1-Day Pre Black Friday Sale
Order Andy Hill's Online Course Now And Save
Regular Price: $497
Get The Course Today For Only:
$97.00
CUSTOM JAVASCRIPT / HTML
Then the price will go up to $497
CUSTOM JAVASCRIPT / HTML
Praise For The 'Symphonic Virtual Orchestration' Course

John Powell - Film Composer (How to Train Your Dragon)

“Andy Hill has the ability to deconstruct and explain the process of writing film scores with extraordinary clarity, all the while imbuing the subject with a fervor that should, in my opinion, be reserved only for European football matches and Baptist revival meetings.”

Christopher Young - Film Composer (Spider-Man)

You MUST get this – While most analytical books are written by academics, Andy was right there in the thick of things as a member of the Disney music department, while the majority of the scores in the book were actually being recorded. Not to mention, it is so alive with his mad passion for film music.

Conrad Pope - Composer/Orchestrator (Harry Potter and the Sorcerer's Stone)

“Andy Hill is among the handful of penetrating minds and ears engaged in film music today.”

Bruce Broughton - Composer (Silverado)

“Andy Hill’s ‘Scoring the Screen’ is, like its author, thoughtful, incisive and full of solidly interesting insights into the technique, craft and emotional magic of film scores and the composers who create them.”

Daniel Carlin - Professor & Chair/Director, Scoring for Motion Pictures and Television, Thornton School of Music, University of Southern California

“Andrew Hill displays the comprehensive knowledge, wisdom, and reverence required to provide informed and practical insight into the art and craft of composing screen music. His background as a practicing musician, Disney studio music-executive, and college-level educator enables him to intelligently—and sometimes amusingly—reveal the magic behind the film-composer’s curtain.”

Robert Townson - Film Music Producer (Varèse Sarabande Records and Varèse Live)

“Andy presents his case that the finest composers to have worked in film over the last eighty years have contributed genuine masterpieces of music and drama to our culture. A film score must excel at both to be successful, and this is so beautifully illustrated in Hill’s elegant prose

Having produced new recordings of To Kill A Mockingbird — with Elmer Bernstein — and Patton — with Jerry Goldsmith — and examined these and other scores in great detail with the composers themselves, I found myself very moved by Hill’s like-minded analysis. Part of the film composer’s art is in fact to conceal the effort and the intellect that goes in to the creation of their scores. Hill thankfully lifts the veil. I am thrilled to see such a rare spotlight illuminating the artistry behind these masterworks.”

Orchestration: from Sketch to Orchestra
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Flash 1-Day Pre Black Friday Sale
Order Andy Hill's Online Course Now And Save
Regular Price: $497
Get The Course Today For Only:
$97.00
CUSTOM JAVASCRIPT / HTML
Then the price will go up to $497
CUSTOM JAVASCRIPT / HTML
Orchestration : from Sketch to Orchestra
Lite Version
Flash Summer Sale!
Order The Orchestration's Online Course Now And Save!
Regular Price: $497
Get The Course Today For Only:
$97.00
CUSTOM JAVASCRIPT / HTML
Then the price will go up to $497
CUSTOM JAVASCRIPT / HTML
Praise For The 'Symphonic Virtual Orchestration' Course

John Powell - Film Composer (How to Train Your Dragon)

“Andy Hill has the ability to deconstruct and explain the process of writing film scores with extraordinary clarity, all the while imbuing the subject with a fervor that should, in my opinion, be reserved only for European football matches and Baptist revival meetings.”

Christopher Young - Film Composer (Spider-Man)

You MUST get this – While most analytical books are written by academics, Andy was right there in the thick of things as a member of the Disney music department, while the majority of the scores in the book were actually being recorded. Not to mention, it is so alive with his mad passion for film music.

Conrad Pope - Composer/Orchestrator (Harry Potter and the Sorcerer's Stone)

“Andy Hill is among the handful of penetrating minds and ears engaged in film music today.”

Bruce Broughton - Composer (Silverado)

“Andy Hill’s ‘Scoring the Screen’ is, like its author, thoughtful, incisive and full of solidly interesting insights into the technique, craft and emotional magic of film scores and the composers who create them.”

Daniel Carlin - Professor & Chair/Director, Scoring for Motion Pictures and Television, Thornton School of Music, University of Southern California

“Andrew Hill displays the comprehensive knowledge, wisdom, and reverence required to provide informed and practical insight into the art and craft of composing screen music. His background as a practicing musician, Disney studio music-executive, and college-level educator enables him to intelligently—and sometimes amusingly—reveal the magic behind the film-composer’s curtain.”

Robert Townson - Film Music Producer (Varèse Sarabande Records and Varèse Live)

“Andy presents his case that the finest composers to have worked in film over the last eighty years have contributed genuine masterpieces of music and drama to our culture. A film score must excel at both to be successful, and this is so beautifully illustrated in Hill’s elegant prose

Having produced new recordings of To Kill A Mockingbird — with Elmer Bernstein — and Patton — with Jerry Goldsmith — and examined these and other scores in great detail with the composers themselves, I found myself very moved by Hill’s like-minded analysis. Part of the film composer’s art is in fact to conceal the effort and the intellect that goes in to the creation of their scores. Hill thankfully lifts the veil. I am thrilled to see such a rare spotlight illuminating the artistry behind these masterworks.”

Flash 1-Day Pre Black Friday Sale
Order Andy Hill's Online Course Now And Save
Regular Price: $497
Get The Course Today For Only:
$97.00
CUSTOM JAVASCRIPT / HTML
Then the price will go up to $497
CUSTOM JAVASCRIPT / HTML
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Orchestration : from Sketch to Orchestra
Lite Version
Flash Memorial Day Sale!
Order The Orchestration's Online Course Now And Save!
Regular Price: $497
Get The Course Today For Only:
$97.00
CUSTOM JAVASCRIPT / HTML
Then the price will go up to $497
CUSTOM JAVASCRIPT / HTML